Hand colouring with thread and other sewing

Being an artist is a broad term, but for me I start my art with a photograph and then decide how it is to be used.

My return to hand stitched items began almost four years ago when I began my wearable art range of scarves that feature my photographic art of Bendigo goldfields native flora printed onto silk, organic cotton jersey, cotton/linen and some polyester fabrics.

I design how the fabric will be printed and when it arrives in my studio I cut and sew it into several scarf designs. Some of the fabric such as the jersey needs to be sewn together so that the print is fully visible on both sides and although I use the sewing machine I often need to use old style hand stitching to finish off the garment.

To many who read this it may not seem such a big deal but sewing is not a strength of mine so when I returned to hand stitching I had to remember what I learnt many years ago from both my mother and also sewing classes at high school.

Part of my range of art also includes brooches made with printed cotton/linen folded down into a metal brooch holder.

Usually every winter I would settle down to creating crocheted projects but now need to take this easier due to a weak shoulder. Last year I was itching to do some hand work and decided to have a go at embroidering some of these brooches.

Once again I had to remember high school lessons and was amazed how it came back to me!

The first few were a simple stitch here and there to give a little 3 d character to the brooches. However I have slowly added more detail to the point I feel I am hand colouring my images not with pastels or pencil (another part of art process but on paper) but with colourful thread.

My main stitches I use are back stitch and the French knot, but I hope to try new stitches in the future.

Sharon Greenaway

www.sharongreenaway.com

sharongreenawayart@gmail.com

WIP May 2019

I wanted to share with you my current work with local native flora.
Rather than the obvious flowers that many admire I am beginning work with a series of montages of eucalypts.
I wanted to share with you my current work with local native flora.
Rather than the obvious flowers that many admire I am beginning work with a series of montages of eucalypts.

Each image is being created from multiple images taken with a prime lens and tripod.
Technical details are 35 mm, 50 mm or 90 mm lenses using mainly f16 and as many seconds as required, iso 100 or 200 preferably.
It is surprising the differing results achieved with various photomerge options in PS5.